DeCuir’s colorful and breathtaking watercolors in The King and I leave the impression of unexpected romance. The movie is based on the Rodgers and Hammerstein musical, and follows the story of a school teacher who travels to Siam to teach the young princes and princesses, and ends up finding love in their King.

YEAR: 1956


ABOUT THE PRODUCTION

This 1956 classic was the first musical by Rodgers and Hammerstein that John DeCuir worked on. The film adaption was planned to feature the talents of Gertrude Lawrence and Yul Brynner, but sadly Lawrence passed away before production began. Upon the recommendation of Yul Brynner, the role of Anna was given to Deborah Kerr, while Marni Nixon provided Anna’s singing voice.

The King and I was one of two films that was shot in CinemaScope 55, a 55 millimeter film with 6-audio channels that was supposed to revolutionize filming. The format was used as part of the promotion of the film, but was released in the standard CinemaScope 35 with 4-audio channels. However, in 1961 it was finally released in its full glory.

King and I film production design

From concept to cinema: The King and I film production design concept art to final film footage (courtesy of 20th Century Fox)

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“[DeCuir Sr. was] a man who could have been the Norman Rockwell of movies.”
— John DeCuir, Jr.

SUMMARY

DeCuir’s colorful and breathtaking watercolors in The King and I leave the impression of unexpected romance. The movie is based on the Rodgers and Hammerstein musical, and follows the story of a school teacher who travels to Siam to teach the young princes and princesses, and ends up finding love in their King.


Mrs. Anna Leonowens and her son Louis arrive in Bangkok, where she has been contracted to teach English to the children of the royal household. She threatens to leave when the house she had been promised is not available, but falls in love with the children. A new slave, a gift of a vassal king, translates “Uncle Tom’s Cabin” into a Siamese ballet. After expressing her unhappiness at being with the King, the slave decides to make an attempt to escape with her lover. Anna and the King start to fall in love, but her headstrong upbringing inhibits her from joining his harem. She is just about to leave Siam but something important she finds out makes her think about changing her mind.

An original Oscar from The King and I is on display at Asbury University in Wilmore, Kentucky, USA.

FUN FACT: Did YOU KNOW THERE’S AN OSCAR AT ASBURY?

The King and I won 9 Academy awards, including Best Production Design in 1957. The DeCuir family gifted Asbury University’s John DeCuir Production Design Studies Center an original Oscar from DeCuir’s award-winning film, The King and I. The Oscar may currently be viewed on display at the John DeCuir Production Design Studies Center at Asbury University in Wilmore, Kentucky.

It is amazingly rare to be given an actual Oscar, and Asbury humbly thanks the DeCuir family for their generous donation. Learn more about John DeCuir Sr, or contact us for your chance to view an Oscar in person.

DIRECTOR

Walter Lang

ART DIRECTOR/ARTIST

John DeCuir Sr. - Featured Artist

FROM CONCEPT TO CINEMA

King and I film production design

From concept to cinema: The King and I film production design concept art and final film footage (courtesy of 20th Century Fox)

This image was among John DeCuir Sr’s favorite images from The King and I.

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